Toinon, Toinette, mes cousines À la campagne, un beau matin Jouaient, endiablées et mutines Avec moi, dans le grand jardin Elles trottaient dans les allées Comme des biches dans les bois Sans respect pour les azalées Qu'avait plantées l'oncle François Le grand vent Qui courait autour de la maison Poursuivait, en soufflant Parmi les… |
Category: Music
not specific to orchestration: writing, performing, listening, buying, thinking about
Fight the Fine Fight in English and Portuguese with translation of Portuguese
Some days I feel I've had enough. | Está tão difícil aguentar; | It is so hard to take it; |
The war in my mind can get so tough. | Tem dias que a dor parece sufocar. | There are days when the pain seems to suffocate. |
There's days I feel there's no way out. | Os meus problemas não têm fim. | My problems are… |
circles of 2nds and 3rds
5ths | 3rds | 2nds |
---|---|---|
IV | vi | viiº |
viiº | IV | vi |
iii | ii | V |
i | viiº | IV |
ii | V | iii |
V | iii | ii |
I | I | I |
1 | 4 | 5 |
---|---|---|
C | F | G |
C | Bº | Dm |
C | Am | Em |
cinematic chord progressions
courageous | i III VII iv | Am C G Dm |
determined | i III VI iv | Am C F Dm |
determined | i III VI iv | Am CM7 FM7 Dm |
hopeful | i v VII V/VII | Am Em G D |
lonely | VI VII i VII | F G Am G |
lonely | VI VII i VII | FM7 G6 Am G6 |
noble | iv VII i VI | Dm G Am F |
heroic | i VI V/VII VI VII | Am… |
power pop chorus intervals
[video width="1000" height="562" mp4="https://camelslash.com/wp-content/uploads/2025/04/chorusintervals.mp4"][/video] Start the chorus a 3rd above the highest note of the verse or prechorus Keep the highest note of the chorus a 4th or 5th higher than anything before it Aim for a 4-6 step leap from the final prechorus note to the first chorus note Melisma find a keyword in…
using the dissonance of sus chords melodically
https://www.youtube.com/watch?v=IqUOsnTywk4 examples start at 5:30 root sus4/2 C B♭ F C play root + major chord 2 semitones below C B♭ D F = C9sus4 G7sus4 G C F 1 4 1 4 quartal chords inversions different tone C F G F G C G C G Floyd Cramer riff is a bounce off the…
musical interval ratios in just intonation
interval | ratio | 120 | 360 |
---|---|---|---|
m2 | 16:15 | 128/120 | 384/360 |
M2 | 9:8 | 135/120 | 405/360 |
m3 | 6:5 | 144/120 | 432/360 |
M3 | 5:4 | 150/120 | 450/360 |
4 | 4:3 | 160/120 | 480/360 |
tritone | 25:18 | n/a | 500/360 |
5 | 3:2 | 180/120 | 540/360 |
m6 | 8:5 | 192/120 | 576/360 |
M6 | 5:3 | 200/120 | 600/360 |
m7 | 9:5 | 216/120 | 648/360 |
M7 | 15:8 | 225/120 | 675/360 |
first 16 harmonics of C
# | note | degree |
---|---|---|
1 | C | 1 |
2 | C | 1 |
3 | G | 5 |
4 | C | 1 |
5 | E | 3 |
6 | G | 5 |
7 | Bb- | 7b- |
8 | C | 1 |
9 | D | 2 |
10 | E | 3 |
11 | F#- | 4#- |
12 | G | 5 |
13 | Ab+ | 6b+ |
melodic movement map
Phyrgian for flamenco
E Phrygian
E F G A B C D Em F G Am Bº C Dm 1 2 3 4 5 6 7
A Phrygian
A B♭ C D E F G Am B♭ C D Eº [EGB♭] F Gm 1 2 3 4 5 6 7